{"id":28075,"date":"2020-02-11T16:19:48","date_gmt":"2020-02-11T21:19:48","guid":{"rendered":"http:\/\/www.sinclairclarion.com\/home\/?p=28075"},"modified":"2020-02-11T16:24:34","modified_gmt":"2020-02-11T21:24:34","slug":"sinclairs-diversity-office-presents-diversity-film-series","status":"publish","type":"post","link":"https:\/\/www.sinclairclarion.com\/home\/tartan-news\/2020\/02\/11\/sinclairs-diversity-office-presents-diversity-film-series\/","title":{"rendered":"Sinclair&#8217;s Diversity Office Presents: Diversity Film Series"},"content":{"rendered":"\n<p class=\"has-drop-cap wp-block-paragraph\">The Diversity Films Series, a semester full of films hand-picked by Sinclair\u2019s Diversity Office started at the beginning of the semester and continues onward to the semester\u2019s end. The series features a series of film events meant to inspire debate and conversation about Sinclair\u2019s diverse community.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The films, all of which deal with the human condition and diverse perspectives, are shown in building 12. They are free to students, with the intent to stimulate conversation, inspire debate and to renew in the student body that always important constant: of understanding a world unlike our own, especially of those whom we have no way or view of the perspective of, in order to create a community of inclusivity and sympathetic compassion and understanding.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Michael E. Carter, Chief Diversity Officer here at Sinclair started in 2015 and the Diversity Film Series started the Spring Semester of 2016.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cThe diversity film series just goes with our vision to provide activities and events that are about diversity, equity and inclusion,\u201d said Carter. \u201cSo that\u2019s a piece of what we do. We also support faculty and staff in these efforts and human resources. I often say we try to be the \u2018conscience of the college\u2019 in the diversity, equity and inclusion space.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\tA great many of the films have been recognized or are created by filmmakers who\u2019ve been recognized for prior achievements in their field. Starting in February, Spike Lee\u2019s \u201cBlackKkKlansman\u201d will be the next film in the series.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\tLee\u2019s \u201cBlacKkKlansman,\u201d tells the true story of Colorado Springs Officer, Ron Stallworth, and his 1978 infiltration of the local Ku Klux Klan chapter. The film is based on Stallworth\u2019s own memoir, \u201cBlack Klansman.\u201d<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/jWd3PXaR3GY?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><figcaption>Lee&#8217;s &#8220;BlacKkKlansman&#8221; tells the true story of former Colorado Springs detective, Ron Stallworth. Hear his story from his own mouth in this interview with Business Insider. (Source: YouTube\/Business Insider)<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Lee\u2019s debut film, \u201cDo The Right Thing,\u201d released back in 1989, a watershed picture in cinema for its realistic, modern portrayal of race relations in New York, famously lost to \u201cDriving Miss Daisy,\u201d a film that portrayed racism as a long-gone relic of the past, at the 1989 Academy Awards.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cI thought \u2018Do the Right Thing\u2019 was extremely powerful and nuanced and complicated and it shows how complicated we are. Some people are racist but there are some people who do racist things who are not racist themselves. I think many of us fall into that category&#8230;It was kind of ironic that it lost to \u2018Driving Miss Daisy\u2019 but I think that people are more comfortable with that movie. I think people like the fact that it dealt with race in a more passive and peaceful manner.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\tAs we all know, and we should\u2019ve known then, racism is not by any means a relic of the past, written down in ratty, shriveled parchment, it is instead an ever-present, ever-constant aspect of many individual\u2019s everyday life.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\tThe series just finished up showing the film version of Angie Thomas\u2019 book \u201cThe Hate You Give,\u201d which, Thomas said, was inspired by the shooting of Oscar Grant, who was shot in Oakland, Cal. by a BART security officer. The film and book deal with a 16-year-old black girl who attends an affluent, mostly white school and her witnessing the shooting of her childhood friend by a white police officer.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\tFollowing \u201cBlacKkKlansman,\u201d playing Feb. 20 is Academy Award-winning film, 2018\u2019s \u201cGreen Book\u201d; a movie that tells the story of real-life jazz pianist and composer, Don Shipley and Tony Lip, Shipley\u2019s driver and bodyguard for when Shipley toured the Jim Crow-era South.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\tThe \u201cgreen book\u201d of the film\u2019s title refers to the literal \u201cGreen Book,\u201d often called the \u201cNegro Motorist Green Book,\u201d which was an annual guidebook for African-Americans traveling to the Jim Crow-era South. Often times blacks wouldn\u2019t be allowed in towns after dark, a term later called a \u201csundown town\u201d or be allowed to eat at certain restaurants or stay in certain hotels across the South.<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/b33PN2NB2Do?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><figcaption>The &#8220;green book&#8221; of the film&#8217;s title was a real thing. Hear the true story. (Source: YouTube\/Vox)<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">\t\u201cGreen Book\u201d also speaks to a lot of the issues at the time that may have been forgotten, some of which still exist today. Carter shared with me a story about a town in rural Northern Indiana, in which a woman approached him and told him about a recent apology from the mayor to the African-American community.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\t\u201cI went into a shop and the mayor had recently issued an apology to the African-American community about it being a sundown town&#8230;This was a real thing. A lot of people don\u2019t realize that just as the black migration was about jobs in Detroit and Chicago and other places, it was also a story of survival. A lot of blacks left for fear of being lynched in the south.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\tThough many, including the Academy, sing the film\u2019s praises, it isn\u2019t without its critics. The film itself drew criticism from the Shipley family for being somewhat inaccurate, as to Lip and Don\u2019s relationship.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Though, perhaps a more egregious critique of the film is the often-cited problem with feel-good films of its kind that deal with racism. That being, namely, that the film is a classic example of the \u201cwhite savior\u201d trope that has long been a black-eye on Hollywood\u2019s history with films about diversity.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\tBeyond that, some have accused the film, rightfully, of being outright racist itself, as it features several scenes that confirm racial stereotypes, and at one point features a scene in which Tony Lip teaches Shipley how to \u201cbe black\u201d by introducing him to fried chicken; something that the Shipley family has called out as being absurd, and worse yet, is a painfully oblivious attempt at bridging a gap through the use of confirming racist biases.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\t\u201cA lot of people aren\u2019t crazy about the movie and some people think it\u2019s great. But that\u2019s why we show the movie and have the discussion because not everybody is going to have the same opinion and that\u2019s great. We want to have the discussion&#8230;We want to pick films that are thought-provoking to generate discussion. That is important to us. But that\u2019s just a piece of what we do,\u201d said Carter.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\tThe Diversity Film Series continues with films like \u201cA Star is Born,\u201d which Carter cited as being a film he hoped would spur debate about depression; beyond that \u201cOperation Finale\u201d is playing in April and \u201cCrazy Rich Asians\u201d in May.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"> \u201cWe typically pick newer films, films that are thematic and we spread it around. We have films that are about race and culture, religion, women\u2019s interests, we have films and documentaries regarding differently-abled people and LGBTQ issues. We try to keep these things in mind and represent who we are at Sinclair, and all the diverse people we have here.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Richard Foltz<br><\/strong>Executive Editor<br><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Diversity Films Series, a semester full of films hand-picked by Sinclair\u2019s Diversity Office started at the beginning of the semester and continues onward to the semester\u2019s end. The series features a series of film events meant to inspire debate and conversation about Sinclair\u2019s diverse community. The films, all of which deal with the human [&hellip;]<\/p>\n","protected":false},"author":10416,"featured_media":28076,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[3613,2104,2112,2974,3],"tags":[3979,3977,3978,239,3980,3981,2877],"class_list":["post-28075","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","category-entertainment","category-films","category-literature","category-tartan-news","tag-blackkklansman","tag-diversity-film-series","tag-diversity-office","tag-film","tag-green-book","tag-michael-e-carter","tag-richard-foltz"],"jetpack_publicize_connections":[],"cc_featured_image_caption":{"caption_text":false,"source_text":false,"source_url":false},"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5s3vR-7iP","jetpack_featured_media_url":"https:\/\/www.sinclairclarion.com\/home\/wp-content\/uploads\/2020\/02\/blakckklansman.jpg","_links":{"self":[{"href":"https:\/\/www.sinclairclarion.com\/home\/wp-json\/wp\/v2\/posts\/28075","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.sinclairclarion.com\/home\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sinclairclarion.com\/home\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sinclairclarion.com\/home\/wp-json\/wp\/v2\/users\/10416"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sinclairclarion.com\/home\/wp-json\/wp\/v2\/comments?post=28075"}],"version-history":[{"count":3,"href":"https:\/\/www.sinclairclarion.com\/home\/wp-json\/wp\/v2\/posts\/28075\/revisions"}],"predecessor-version":[{"id":28079,"href":"https:\/\/www.sinclairclarion.com\/home\/wp-json\/wp\/v2\/posts\/28075\/revisions\/28079"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.sinclairclarion.com\/home\/wp-json\/wp\/v2\/media\/28076"}],"wp:attachment":[{"href":"https:\/\/www.sinclairclarion.com\/home\/wp-json\/wp\/v2\/media?parent=28075"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sinclairclarion.com\/home\/wp-json\/wp\/v2\/categories?post=28075"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sinclairclarion.com\/home\/wp-json\/wp\/v2\/tags?post=28075"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}