{"id":25801,"date":"2019-08-02T09:37:42","date_gmt":"2019-08-02T14:37:42","guid":{"rendered":"http:\/\/www.sinclairclarion.com\/home\/?p=25801"},"modified":"2019-08-01T22:39:35","modified_gmt":"2019-08-02T03:39:35","slug":"countdown-to-halloween-the-deconstruction-of-the-suburbs","status":"publish","type":"post","link":"https:\/\/www.sinclairclarion.com\/home\/tartan-news\/2019\/08\/02\/countdown-to-halloween-the-deconstruction-of-the-suburbs\/","title":{"rendered":"Countdown to Halloween: The Deconstruction of the Suburbs"},"content":{"rendered":"\n<p class=\"has-drop-cap wp-block-paragraph\">There are things that we like that are inexplicable, right? Or maybe there is a reason for our undying adoration, but objectively it makes no sense. Right? That no matter how much we might try to defend it from an objective stance, we know deep down that it is quite bad.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\tTake blue cheese for instance. I love it, but I can objectively see why most people don\u2019t find moldy old cheese to be all that appealing. And frankly, I think we all know that people who say they GENUINELY enjoy beer and wine beyond its intoxicating effects are, well, liars. Especially people who claim to genuinely enjoy IPA\u2019s. (Liars!)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\tSo, when I tell you that I have an undying affection for the films of Joe Dante and you inevitably ask me, \u201cWho?\u201d and then I explain and you SCREAM \u201cWHY!?\u201d I will know that deep down, you\u2019re probably right, objectively.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"> Don\u2019t get me wrong, Joe Dante has had some great films in his filmography. I mean, we\u2019re talking about the director of \u201c<a href=\"https:\/\/www.youtube.com\/watch?v=uuYyfHeWYTI\">The Howling<\/a>,\u201d one of the only movies that can go toe-to-toe with \u201c<a href=\"http:\/\/www.sinclairclarion.com\/home\/tartan-news\/2019\/07\/26\/countdown-to-halloween-a-comedy-of-weres\/\">An American Werewolf in London<\/a>\u201d as the best werewolf movie of all-time.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"> But he also made \u201c<a href=\"https:\/\/www.youtube.com\/watch?v=hl3Y_MfDH3U\">Gremlins<\/a>.\u201d Which is, objectively speaking, one of the better popcorn films of the \u201880s, and maintains to this day a feverishly loyal following of fans heaping adoration its way.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"> This is when I tell you, bursting with joy and excitement, that he ALSO made the <a href=\"https:\/\/www.youtube.com\/watch?v=6tfcxl5uw0E\">sequel to that film<\/a>. Which, most likely, you haven\u2019t seen, or have burned from your memory. To which I might say, \u201cWhy, it\u2019s a masterpiece?\u201d (I\u2019m a liar. It\u2019s not.)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"> I mean, this is after all the movie that spawned one of the wildest and most ridiculous <a href=\"https:\/\/www.youtube.com\/watch?v=wHtH_SHhc6E&amp;t=197s\">Key &amp; Peele sketches<\/a>, in which a script doctor named Star Magic Jackson Jr., shows up and tells the writers to create their own gremlin. It doesn\u2019t go that well.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\tSo, yeah. Dante\u2019s had a weird, weird career. But I love almost all of it. And that\u2019s why I want to talk about one of his nearly forgotten films: \u201cThe \u2018Burbs\u201d<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/pyRUijyrXr4?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><figcaption>The trailer for &#8220;The &#8216;Burbs.&#8221; (Shout Factory\/YouTube)<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"> Before <a href=\"https:\/\/www.youtube.com\/watch?v=Ch_hoYPPeGc\">Tom Hanks<\/a> was winning Oscars (back-to-back, no less) and winning the hearts of the world (have you seen him as <a href=\"https:\/\/www.youtube.com\/watch?v=gB6ld6IPf4w\">Mr. Rogers<\/a>? I\u2019m already crying!) he was Ray Peterson of Mayfield Place, neighbor to a gaggle of recluse neighbors who conducted loud, multi-colored experiments in their basement after dark.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"> \u201cThe \u2018Burbs\u201d was released one year after \u201c<a href=\"https:\/\/www.youtube.com\/watch?v=CF7-rz9nIn4\">Big<\/a>,\u201d arguably Tom Hanks\u2019 star-making role, and only a few years after \u201c<a href=\"https:\/\/www.youtube.com\/watch?v=4z848FFClBM\">Splash<\/a>.\u201d But other than that, he\u2019d been a relative unknown until this point in his career. And I\u2019ll save you the suspense&#8230;this movie didn\u2019t shoot his career into the stratosphere.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"> But he is one member of an arguably amazing cast of actors, including the likes of <a href=\"https:\/\/www.youtube.com\/watch?v=1trs2PzJY6w\">Bruce Dern<\/a> (arguably one of the best unknown actors outside of Harry Dean Stanton), post-Star Wars <a href=\"https:\/\/www.youtube.com\/watch?v=33RcFSjA8nI\">Carrie Fisher<\/a>, <a href=\"https:\/\/www.youtube.com\/watch?v=1SPcQ_GLYPg\">teenaged Corey Feldman<\/a>, <a href=\"https:\/\/www.youtube.com\/watch?v=wvDSl4WB-Q4\">Henry Gibson<\/a> (who is amazing in Altman\u2019s \u201cNashville,\u201d \u201cThe Blues Brothers\u201d and one of my favorite movies ever, P.T. Anderson\u2019s \u201cMagnolia\u201d) and <a href=\"https:\/\/www.youtube.com\/watch?v=WPlfeBZpaYs\">Rick Ducommun<\/a>, who spent most of the late \u201880s and early \u201890s playing bit parts in a bevy of movies I feel a great deal of nostalgia for.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"> The set used for the film was that of \u201cColonial Street\u201d a famed suburbia set that once played host to \u201c<a href=\"https:\/\/www.youtube.com\/watch?v=0drJKnYg5-s\">The Munsters<\/a>\u201d back in \u201864 and would eventually play host to the residents of Wisteria Lane, the fictional street in \u201cDesperate Housewives.\u201d (I\u2019ve never actually seen the show.)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"> And it was that sort of timeless suburban charm that the movie played upon, both thematically and aesthetically. Released in \u201889, the movie existed in the wake of the occult horror of the 1970s and at the tail end of the slasher genre that either birthed in \u201860 with the release of <a href=\"https:\/\/www.youtube.com\/watch?v=5bieIiX5KLQ\">Psycho<\/a>, \u201874 with the release of \u201c<a href=\"https:\/\/www.youtube.com\/watch?v=k6JuJHmVsh4\">Black Christmas<\/a>\u201d but really took off once a Captain Kirk wearing, knife wielding, jumpsuit wearing psychopath named <a href=\"https:\/\/www.youtube.com\/watch?v=73I7PZgeBaU\">Mike Myers<\/a> started attempting to kill Jamie Lee Curtis in \u201878.<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/y_cEOPVVxhY?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">\tSo, in other words, the film was very much a reaction to the slow decay of the idyllic Americana of the late \u201850s, which in itself was pretty much not true. But in the wake of World War II, and with a renewed zeal for American nationalism throughout the early days of the Cold War, the sheen had not yet worn off America\u2019s coat.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\tThat is, until the JFK and MLK assassinations, Vietnam, the Manson murders and the occult-fueled fear and and drug induced paranoia of the \u201870s set in full force.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"> \u201cThe \u2018Burbs\u201d was a takedown of the suburban, idealized, norm of Americana of middle-America (<a href=\"https:\/\/www.youtube.com\/watch?v=O5FBJyqfoLM\">which was actually considerably more sinister than you might imagine<\/a>). It featured a cast that included a former \u2018Nam vet (Dern), a wildly intolerable conspiracy theorist (Ducommun), a beach-blond stoner teen (Feldman), and a normal guy just \u201ctrying to get some rest.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">All of whom hold their new neighbors, who are admittedly bizarre; with yellowed grass, a slowly decaying, paint chipped home and who spend most nights in their basement conducting the aforementioned experiments; in great suspicion.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">I won\u2019t say that it is by any means a great deconstruction of the sheen worn off the suburbia glow, or that it is a good satire for the way in which America has slowly delved into the paranoid mess that it is today, but it is SO MUCH FUN.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Part of that joy might come from the fact that I was enamored with it as a child, then forgot about it, then suddenly stumbled upon it in my early adult years, only to fall even harder in love with the wave of nostalgia is brings to me. But of the few people whom I know who have watched it, most would agree with my feelings regarding it.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A lot of that comes from Dante\u2019s almost<a href=\"https:\/\/www.youtube.com\/watch?v=kHpXle4NqWI\"> Chuck Jones-esque<\/a> love for the zany and absurd. For anybody who has seen \u201c<a href=\"https:\/\/www.youtube.com\/watch?v=7jHhLIx6Ib4\">Gremlins 2<\/a>\u201d and hasn\u2019t held it to the same degree of mastery as the original, it is an insanely funny, and enjoyable film. It bursts at the seams with a cartoonish charm. I mean, how can you not love a sequel that breaks the fourth wall with a <a href=\"https:\/\/www.youtube.com\/watch?v=SCk5XnxI46U\">Hulk Hogan cameo<\/a>? It\u2019s brilliant, in its own way.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cThe \u2018Burbs\u201d is much the same, what with the cartoonishly ghoulish Klopeks house, or the thoroughly enjoyable, should be infamous, zoom-in-zoom-out, as Hanks and Ducommun find a femur in Hanks\u2019s backyard they believe to be a neighbor\u2019s.<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/Xpga1vtS3tA?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><figcaption>The infamous &#8220;femur scene.&#8221; (Movieclips\/YouTube)<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">It goes without saying that art is subjective. Somebody could say that <a href=\"https:\/\/www.youtube.com\/watch?v=_HGW1DQO1xQ\">Picasso\u2019s \u201cGuernica\u201d or \u201cThe Old Guitarist<\/a>\u201d are unrivaled in their beauty, and maybe, despite the hyperbole of such a sentence, they might be right.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Other people might consider the films of <a href=\"https:\/\/www.youtube.com\/watch?v=ffllV6-aqWU\">David Lynch<\/a> as insufferable, dadaist garbage, more like dreams than movies (I think Lynch would like that comparison, honestly). Others might say that there is no value in the works of <a href=\"https:\/\/www.youtube.com\/watch?v=5TY3-Ca1E-M\">John Carpenter<\/a>, or <a href=\"https:\/\/www.youtube.com\/watch?v=CawVaHxWvnA\">Ed Wood<\/a>, or <a href=\"https:\/\/www.youtube.com\/watch?v=Gcie27RwuV4\">John Waters<\/a>, but their contribution to not only their art, but to society, has been cemented into the collective unconsciousness.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">You could take the high art statement of Arthur Miller\u2019s farce of <a href=\"https:\/\/www.youtube.com\/watch?v=RGsnolpHr0A\">McCarthyism<\/a> via \u201c<a href=\"https:\/\/www.youtube.com\/watch?v=lGVlDzu-_dg\">The Crucible<\/a>\u201d or Paul Veerhoven\u2019s wonky take on the militarization of the police force in \u201c<a href=\"https:\/\/www.youtube.com\/watch?v=bFftDokKvW4\">Robocop<\/a>\u201d and face them off against each other. See which one comes out as more profound. But in the end, it doesn\u2019t really matter, does it?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Does a piece of art have to be objectively great to have an impact on culture? No, obviously. Tons of people still watch \u201cThe Big Bang Theory,\u201d for some reason (I\u2019m just kidding, it\u2019s okay if you like that show that I VERY MUCH hate), despite it taking a great deal of criticism throughout its run.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Arguably the point of art is that it <a href=\"https:\/\/www.youtube.com\/watch?v=LuD2Aa0zFiA\">connects with us<\/a>, that something it\u2019s trying to say strikes a chord in us and that, like an amplified guitar, we resonate on the same frequency. So, with that, I say, go watch \u201cThe \u2018Burbs.\u201d You\u2019re bound to like it and all of its zany, ghoulish fun.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">So then, next week, I\u2019ll try to direct us more back into the arena or horror and talk about both a horror icon (kinda) and the movie that chronicles parts of his life.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Richard Foltz<br><\/strong>Managing Editor<br><\/p>\n","protected":false},"excerpt":{"rendered":"<p>There are things that we like that are inexplicable, right? Or maybe there is a reason for our undying adoration, but objectively it makes no sense. Right? That no matter how much we might try to defend it from an objective stance, we know deep down that it is quite bad. Take blue cheese for [&hellip;]<\/p>\n","protected":false},"author":10416,"featured_media":25803,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[3],"tags":[1386,2877,3460,3339],"class_list":["post-25801","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-tartan-news","tag-entertainment","tag-richard-foltz","tag-the-burbs","tag-the-countdown-to-halloween"],"jetpack_publicize_connections":[],"cc_featured_image_caption":{"caption_text":false,"source_text":false,"source_url":false},"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5s3vR-6I9","jetpack_featured_media_url":"https:\/\/www.sinclairclarion.com\/home\/wp-content\/uploads\/2019\/08\/the-burbs.jpg","_links":{"self":[{"href":"https:\/\/www.sinclairclarion.com\/home\/wp-json\/wp\/v2\/posts\/25801","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.sinclairclarion.com\/home\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sinclairclarion.com\/home\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sinclairclarion.com\/home\/wp-json\/wp\/v2\/users\/10416"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sinclairclarion.com\/home\/wp-json\/wp\/v2\/comments?post=25801"}],"version-history":[{"count":5,"href":"https:\/\/www.sinclairclarion.com\/home\/wp-json\/wp\/v2\/posts\/25801\/revisions"}],"predecessor-version":[{"id":25807,"href":"https:\/\/www.sinclairclarion.com\/home\/wp-json\/wp\/v2\/posts\/25801\/revisions\/25807"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.sinclairclarion.com\/home\/wp-json\/wp\/v2\/media\/25803"}],"wp:attachment":[{"href":"https:\/\/www.sinclairclarion.com\/home\/wp-json\/wp\/v2\/media?parent=25801"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sinclairclarion.com\/home\/wp-json\/wp\/v2\/categories?post=25801"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sinclairclarion.com\/home\/wp-json\/wp\/v2\/tags?post=25801"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}